Shane Hurlbut, ASC:
We tested different types of film stocks and lenses and came up with a ridiculous cocktail. We used a tungsten based film stock for all day exteriors and interiors. It was rated at 320 ISO and I exposed it at 32 ISO. The over exposure delivered the look that John and I wanted. It was difficult at first to get my head around this stock being stretched the way we did. But after the first week, I really understood its power and how its look was just so unique.
What still photographers can, and should learn from cinematographers: The power of color temp.