Fast Browsing. New WB Adjustment. New H/S Recovery, and Professional Auto Enhance:

> It uses powerful image analysis to determine the correct white balance, exposure, vibrancy, curves, highlights, and shadows. And it intelligently applies these adjustments to your photos. So when you’re refining images, Professional Auto Enhance is a great starting point. Then you can tweak images further until they’re exactly the way you want. Or you can give photos a professional-quality pop — with just a click.

Oh, and there’s the unified iPhoto-compatible library format, which I presume — including the above new features — were taken straight from Aperture 4.0.

> A bookmarklet that strips texts from a web page leaving just the images.

And I’m still typing.

> Rather than being a barrier, a watermark should give you access. That’s why we’re getting rid of our old watermark and replacing it with one that’s less invasive and more useful.

Other than the preposterous ‘watermarking’, three things stood out to my senses: (1) the striking gty.im short url — really short — and (2) the photographer’s name — honorable — and (3) it uses getty’s own type — consistent.

There’s an interesting discussion over at [Hacker News](http://news.ycombinator.com/item?id=4027465), but so far nothing seems to be on the surface about the technology behind it.

> But here’s the point: Somewhere around Day One of Week Two, the clouds part. You’ll see a logic behind iPhoto that wasn’t immediately apparent and you’ll have forgiven those weird choices. From that day forward, until some company produces an even better photo editor or until the heat death of the universe, you’ll be working with an desktop-grade app with few limitations. Isn’t that better than an app that you completely figure out in five minutes and then completely outgrow in five weeks?

Andy took my words out of my mouth and wrote a better piece than I truly could about this pro-grade app from Cupertino.